back
to class index / back to class schedule
ART 208.01 Introduction to Sculpture PROJECT THREE: Convergence Initial Design Development Phase (20% of project grade) You
should begin by selecting the non-human object or phenomena you want to
transform. Consider its identity in relationship to human form. What sort of
meaningful analogy might arise from this relationship? Study it both as a
visual and conceptual identity.
Accordingly, what specific aspect of the body will you engage? Will you focus on a specific body part
or passage, a type of gesture, a mode of sense perception, or even the entire
body as a specific idea? Then think about the manner in which you might merge
these two things. When should you choose to retain specific appearances and
when should you take a more abstract route by evoking broader traits and
qualities? I
recommend you muse on these specific questions (above) as you directly study
your sources; let your responses flow from direct observation. Spend time
with your sources; collect examples of it, observe it in its natural context,
draw and photograph it in various ways. If your project takes a conceptual
direction, consider some simple web based research as a way to explore
meanings and ideas. Your
initial design development will take three forms: Part 1. Visual Research: Create a visual source book that includes no less than 8 images
(could be your own or found photographs) that will help you visualize your
sources in terms of their transformative potentials. This source book may be
digital only if you bring your laptop to the studio with you otherwise it
must be printed so you can use it as a resource as you create your sculpture
in the studio. Part 2: 2D Studies (7 pages): 3 Pages of Brainstorming Sketches: These first three pages should be dedicated
to brainstorming a broad range of ideas that explore the merging of your human
and non-human sources. Consider using one or more of the project artists as
inspiration (slides presentation is on BB). Consider a variety of approaches
including drawing on top of source images, photo collages, or drawing as ways
of observing your sources as mentioned above.) 4 Design Studies (full page each): Review
all of the ideas youÕve drawn in your first 3 pages. Thoughtfully select a
worthy idea from your first 3 pages and create four more drawings/ collages
that explore various options within this single idea. If there are none that
inspire you continue to brainstorm before you begin with these design
studies. These four studies should be large (a full page each), detailed, and
as specific as possible (try to draw complete things not bits and fragments
of things). This will not come naturally youÕll need to work at it maybe
needing to do more brainstorming pages before you can create 4 whole images. Part 3. Initial 3D Modeling: Inspired
by your sketches and using materials that will best approximate your final sculpture,
create an initial model for your sculpture. |