"Dismantling the Master's Art." Published in Underwire: Annual Journal of Women Studies, Spring 2000. | Review of the Studio Theatre production of Waiting for Godot. Published in Theatre Journal, May 1999. |
"Unity of Time in the Age of Interculturalism, Performance Art, and Film: Imperfect Illusion in Postmodern Dramaturgy." International Conference and Theatre Festival (Pourquois le theatre?). Toronto, Canada, 1995. | "Feminist Re-visioning/Cultural Grafting: A Staging of Medea: A Noh Cycle Based on the Greek Myth." Association for Theatre in Higher Education Conference, session on Cross-cultural Directing: Using Asian Techniques to Stage Western Drama. Co-sponsored by the Association for Asian Performance and the Directing Forum. Respondent: Dr. Carol Sorgenfrei, author of the play. Seattle, Washington, 1991. |
"Double or Nothing: Obscuring the Object of Desire in The French Lieutenant's Woman and Kiss of the Spider Woman." RMMLA Conference, Scottsdale, Arizona, 2002. | "Seeing Double: Theatrical Conceits in Cloud Nine." The Journal of Dramatic Theory and Criticism, Spring 1987, Vol. 1, No. 2. |